Andre Masson And Surrealism - 896 Words

Andre Masson was born January 4th, 1898 in Balagny-sur-Therain, France. At the age of eight he moved to Brussels where he started studying art. In 1912, Masson moved back to France, but this time to Paris where he continued his studies until the outbreak of World War one. During World War one, Masson became part of the French infantry where he got seriously injured, and scarred emotionally. After the war Masson moved to southern France until 1922, where he moved back to Paris to continue working on his art. The art of Cubism had been what Masson was initially intrigued in, until 1924 where he joined the Surrealist movement, and remained a member for five years. The Surrealist movement happened when a group of artists who saw a deep crisis†¦show more content†¦Masson returned to France in 1937 and reconnected with the Surrealist movement. Once World War 2 had started, Masson became part of the first Surrealist group to reach the United states â€Å"Continuing to New York wi th Masson, he joined Ernst, whose new decalcomanias included Europe after the Rain (1940–42;see ), as well as Matta, Seligmann, Tanguy and Kay Sage in a larger group of refugees. The first Surrealist group show in the USA had taken place in 1931–2 at the Wadsworth Atheneum, Hartford, CT, travelling to the Julien Levy Gallery, New York† Masson had been part of the first Surrealist group in the United states. This quote is important because Masson is taking his political beliefs that had rapidly gained momentum in Europe, and trying to stretch those beliefs to the rest of the world. During the Interwar period, Andre Masson had been part of the Surrealist movement and this influenced his artwork a lot. Before the Surrealist movement, Masson had been initially interested in Cubism, an art form made famous by Pablo Picasso. Masson went from very generic art at the time, to very unconventional art. For instance,one of his most famous paintings called battle of the fishes, and it was painted in a very unorthodox manner. In this painting Masson actually threw glue onto the canvas, and then after the sand had settled, he threw sand onto the canvas. After what probably made a huge mess, he painted, and drew aroundShow MoreRelatedExpressionism : An International Artistic And Literary Movement1176 Words   |  5 PagesTo understand Surrealism, we must first look at Dadaism, the art movement from which Surrealism stems. Dadaism was an international artistic and literary movement which began in 1916 and lasted until the mid 1920s. Artists involved in the Dada movement were experimental and controversial. They constantly pushed and broke the boundaries of what art is defined as and what art-making could be. They used chance based procedures and unconventional materials such as collages and photo-montages createdRead MoreEssay on Rene Magritte: Illusions Masking Reality1666 Words   |  7 Pagesinfluence of the anti-aesthetic, where shocks with juxtapositions of ordinary objects in unnatural circumstances were stressed. Among the many tenants of surrealism, the work of Sigmund Freud during the early half of the twentieth century on the unconscious became one of the major themes of the movement. No better example to serve this definition of surrealism, other than Salvador Dali, than the work of Rene Magritte. Rene Magritte was born November 21, 1898 in Lessines, Brussels. Tragedy struck ReneRead More Sigmund Freuds Influence upon Salvador Dali Essay1591 Words   |  7 Pageshuman mind. Freud desired to have a thorough understanding of the inner workings of the conscious and subconscious condition. It was noted, â€Å"Sigmund would become thoroughly absorbed in his research, so much so†¦he couldn’t stop wanting to study†. (Masson, The Life of Simund Freud) He graduated high school in 1873, and received a doctorate degree in 1881. Freud was enamored with all specialties of science, and conducted research and experiments with notable scientists of the late nineteenth centuryRead MoreEssay about Salvador Dalis Work4988 Words   |  20 Pages1900 this class, once only holding 10% of workers has grown to obtaining 30%, and is continually growing. Salvador Dali is the icon of Surrealism because of his ability to depict the unconscious, his crazy appearance, and his self-publicity methods, while Dali never conformed to the ideologies of the Surrealist though, he did use Surrealism as a stepping-stone to advance into the creative class, whose emergence promises the transformation, of economic and social structures